Robert Altmans The Long adieu As A Genre Revisionist delineation "Robert Altmans The Long Goodbye attempts to do a very engross thing. It tries to be all genre and no story It makes no serious effort to reproduce the Raymond Chandler detective novel it just takes all the characters out of that novel and lets them stew to exither in something that feels like a private-eye movie." ---ROGER EBERT (REVIEW) The period of American cinema amidst 1965 and 1975 produced some(prenominal) films that almost completely restructured classical Hollywoods evaluate genre conventions.
A fine example of thi s would be Robert Altmans unorthodox take on Raymond Chandlers Philip Marlowe in The Long Goodbye (1973), a detective film based on the terminal al-Quran in Chandlers Philip Marlowe series. Altman, who is known for turning close to handed-down genre conventions, revises and reinvents the film-noir style made popular by woodpecker Powell in Murder, My Sweet (1944), Humphrey Bogart in The Big Sleep...If you indigence to get a full essay, order it on our website:
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