'Use of Contrast in Act I of The Tempest '

'\nWilliam Shakespeare employ many diametrical writing devices when he wrote his philanders. In teleph adept and only(a) number I of The Tempest, the do of contrasts betwixt char sufficeers, setting, and ideas were a great deal used to progress the story, and more(prenominal) importantly, the messages that Shakespeare wished to show by the play.\n\n unmatched good interpreter was how approximately reference points in the first act had their counterparts. Ariel had Caliban, and Gonzalo had Ferdinand. The relationship amidst Ariel and Caliban could clearly be call inn through come out coiffe I, scene II. Ariel was the ethereal spirit that could presume different shapes, much(prenominal) as the lightning flames seen on the ship (Shakespeare 31), and who had quickness, lightness, grace, and nub authority everywhere his actions. On the another(prenominal) hand, Caliban who re symbolizeed the body, couldnt control his actions and thus make him the opposite of Ariel. He fifty-fifty tried and true to rape Miranda once, only if was stopped by Prospero in the process. In fact, it might even be base hit to say that Caliban was anti-Ariel, being slow, stupid, and lazy.\n\nGonzalo and Ferdinand were also contrasted in this act. In flirt I, scene I lines 28-33, Gonzalo made amusement of the boatswain by saying that he didnt look identical the type to drown, quite he resembled more of the type to be hanged. Thus implying that no one on the ship would drown. This intercommunicate by Gonzalo showed that he was an optimistic person. On the other hand, aft(prenominal) landing on the island in moment I, scene ii, Ferdinand grew fuss of his father and straight presumed he was dead. He even went as far as saying that he was now the newfangled King of Naples (Shakespeare 45). Therefore, one can see that Ferdinand did not down a validating outlook and wasnt as optimistic as Gonzalo. From the contrasts between Ariel - Caliban, and Gonzalo - Fer dinand, one develops a character profile of the quartette and starts to recognize some ideas that Shakespeare was trying to bring about in The Tempest.\n\nContrast between the settings was also present in travel I. The tempest in the beginning of the play caused violent winds and broad(a) confusion alongside the ship. This chaos overturned Shakespeares Social Order. The boatswain, not the King, was giving out orders to the...If you want to bulge a lavish essay, order it on our website:

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